Interpreting Legislative Intent: G.J. Raja Bench on Section 143A
Introduction The Supreme Court’s decision in G.J. Raja v. Tejraj Surana[1] has significant implications for lending institutions, potentially jeopardizing their interests. The court in this case held that Section 143A of the Negotiable Instrument Act, 1881 is to be applied prospectively. This means that it would only affect actions taken after its enactment, limiting its […]
Devki’s Dilemma: A Criminal Evaluation of the film ‘Mom’
Abstract This provides a legal analysis of the 2017 crime thriller ‘Mom.’ The focus is on the character Devki, who takes the law into her own hands to avenge her daughter’s suffering. The article delves into the criminal offenses portrayed in the movie, specifically murder, and examines the applicable sections of the Indian Penal Code. […]
There is No Escape: Critical Review of ‘Fire’
Abstract This critical review of Deepa Mehta’s film ‘Fire’ meticulously examines the intricate layers of intersectionality, exploring how gender intersects with religion, sexuality, class, law, and media. The analysis unfolds the oppressive forces that entangle the lives of Radha and Sita, highlighting the patriarchal nature of religious institutions that perpetuate gender discrimination. The film’s portrayal […]
Case Comment: Section 143A and Retrospective Perspective in G.J. Raja Case
Introduction Cheques have been the go-to method for paper-based transactions for a long time. However, as people increasingly embrace digital payments, the number of cheque-based transactions has reduced significantly. Other factors leading to this decline are dispute settlement time lag and credit risks associated with these instruments. There have been constant attempts by the legislature […]
State as a Villain: Tamhane’s ‘Court’ and the Suppression of Dissent in India
Abstract The article delves into the exploration of the state’s role in society, particularly its treatment of marginalized individuals, as portrayed in Chaitanya Tamhane’s film ‘Court.’ The narrative unfolds around the trial of Narayan Kamble, a folk singer falsely accused of abetting a sewage worker’s suicide through his protest songs. The analysis highlights the state’s […]
From Screen to Courtroom: Criminal Law’s Review of ‘Rustom’
Abstract The article examines the film ‘Rustom,’ inspired by the K. M. Nanavati case, focusing on the major offense of ‘murder’ and related defenses. It delves into the trial of Rustom Pavri, analyzing the charged offense and the defense of ‘private defence.’ The review highlights the gaps in the film’s portrayal of the trial, particularly […]